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Adobe illustrator cs4 classroom in a book lesson files free download |
Adobe illustrator cs4 classroom in a book lesson files free download
{Adobe illustrator cs4 classroom in a book lesson files free download
There's also live online events, interactive content, certification prep materials, and more. This title includes additional digital media when purchased in print format.
For this digital book edition, media content may not be included. Contact the publisher's customer service directly for assistance. The book больше информации the basics of learning Illustrator and provides countless tips and techniques to help you become more productive with the program.
You can follow the book from start to finish or choose only those lessons classeoom interest you. Odwnload you need to master the software is included: clear explanations of each lesson, step-by-step instructions, and the project files for the students.
Classroom in a Book offers what no other book or training program does—an official training series from Adobe Systems Incorporated, developed with the support of Adobe product experts. Data is at the center of many challenges in system design today. Difficult issues need to …. Distributed systems have become more fine-grained as organizations shift from code-heavy monolithic applications to smaller, self-contained …. Even bad code jllustrator function. But if code isn't clean, it can adobe illustrator cs4 classroom in a book lesson files free download a development organization ….
Skip to main content. Start your free trial. Book description This title includes additional digital media when purchased adobe illustrator cs4 classroom in a book lesson files free download print format.
Show and hide more. Table of contents Product information. Getting to Know the Work Area Getting started Understanding the workspace Working with the Tools panel The Control panel Working with panels Using panel menus Resetting and saving your workspace Changing the view of artwork Viewing artwork Using the view commands Using the Zoom tool Scrolling through a document Navigating multiple artboards Arranging classeoom Document mamp pro 4.5 download free download Using the Navigator panel Finding Resources for using Illustrator Searching for a topic in Help Checking for updates Exploring on your own Review questions Review answers 2.
Selecting and Aligning Getting started Using the Selection tool Using the Direct Selection tool Creating selections with a marquee Creating selections with the Magic Wand tool Grouping items Adding to a group Working in isolation mode Selecting similar objects Applying selection techniques Advanced selection techniques Aligning objects Aligning to a key object Aligning points Distributing objects Aligning to the artboard Exploring on your own Review questions Review answers 3.
Creating and Editing Shapes Getting started Creating a document with multiple artboards Читать статью with basic shapes Accessing the basic shape tools Creating with shapes Outlining strokes Working with line segments Eownload paths Using the Eraser tool Combining objects Working with Pathfinder effects Working with shape modes Using Live Trace to create shapes Exploring on your own Review questions Review downlosd 4.
Transforming Objects Getting started Working with artboards Adding artboards to the document Editing artboards Transforming content Working with rulers and guides Scaling objects Reflecting objects Rotating objects Distorting objects Shearing objects Positioning objects precisely Changing the perspective Using the Free Distort effect Making multiple transformations Exploring on your own Review questions Review answers 5.
Drawing with the Pen and Adobe illustrator cs4 classroom in a book lesson files free download Tools Getting started Creating straight lines Creating curved paths Building по ссылке curve Converting curved points to corner points Creating the apple illustration Creating the arrow Splitting a path Adding arrowheads Drawing curves Selecting a curve Drawing the leaf Drawing different kinds of curves Convert between smooth points and corner points Drawing the apple shape Editing curves Deleting and adding anchor points Drawing with the Pencil tool Editing with the Pencil tool Finishing the apple illustration Assembling the parts Painting the artwork Exploring on your own Review questions Review answers 6.
Color and Painting Getting started Understanding color Color modes Understanding the color controls Creating color Building and saving a custom color Editing classsroom swatch Using Illustrator swatch libraries Creating a spot color Using the Color Picker Creating and saving a tint of a color Copying attributes Creating color groups Working with the Color Guide panel Editing a color group Editing colors in artwork Working with the Kuler panel Assigning colors to your artwork Adjusting colors Painting with gradients and patterns Using patterns Creating your own pattern Applying a pattern Editing a pattern Working with Adobe illustrator cs4 classroom in a book lesson files free download Paint Editing Live Paint regions Exploring on your own Review questions Review answers 7.
Working with Type Getting started Working with type Creating point type Creating area type Importing a plain text file Creating columns of text Understanding text flow Working with overflow text and text reflow Threading text Resizing type objects Formatting type Changing the font size Changing the font color Changing additional text attributes Changing paragraph attributes Saving and using styles Creating and using a /9776.txt style Creating and using a character style Sampling text Reshaping text with an envelope warp Wrapping text around an object Creating text on paths and shapes Creating text outlines Exploring on your own Review questions Review answers 8.
Working with Layers Getting started Creating c,assroom Moving objects and layers Locking layers Viewing layers Pasting layers Creating clipping masks Merging layers Applying appearance attributes to layers Isolating layers Exploring on your own Review questions Review clasdroom 9.
Blending Shapes and Colors Getting started Working with gradients Creating and applying a linear gradient Adjusting the direction and angle of a gradient blend Creating a radial gradient Changing colors and adjusting dree gradient Applying gradients to multiple objects Adding transparency to gradients Working with blended objects Creating a blend with specified steps Modifying the blend Creating smooth color blends Exploring on your own Review questions Review answers adobe illustrator cs4 classroom in a book lesson files free download Applying Appearance Attributes and Graphic Styles Getting started Using appearance attributes Editing and adding appearance attributes Reordering appearance attributes Adding an additional stroke and fill Using graphic styles Creating and saving a graphic style Applying a graphic style to an object Applying a graphic style to a layer Applying existing graphic styles Adding to lessson existing graphic style Applying an appearance to a layer Copying, applying, and removing graphic styles Exploring on your own Review questions Review answers Working with Symbols Getting started Working with symbols Using Illustrator symbol libraries Creating symbols Spraying symbol instances Editing symbol sets using the symbolism tools Editing ссылка на подробности Updating a symbol Breaking a link to a symbol Replacing symbols Storing and retrieving artwork in the Symbols panel Mapping a symbol to 3D artwork Symbols and Flash integration Exploring on your own Review questions Review answers You might also like book Designing Data-Intensive Applications by Martin Kleppmann Data is at the center of many challenges in system design today.
Martin Even bad code can function. Get it now.
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Classroom in a Book offers what no other book or training program does—an official training series from Adobe Systems Incorporated, developed with the support of Adobe product experts.
Data is at the center of many challenges in system design today. Difficult issues need to …. Distributed systems have become more fine-grained as organizations shift from code-heavy monolithic applications to smaller, self-contained ….
Even bad code can function. But if code isn't clean, it can bring a development organization …. Skip to main content. Start your free trial. Book description This title includes additional digital media when purchased in print format. Show and hide more. Table of contents Product information. Getting to Know the Work Area Getting started Understanding the workspace Working with the Tools panel The Control panel Working with panels Using panel menus Resetting and saving your workspace Changing the view of artwork Viewing artwork Using the view commands Using the Zoom tool Scrolling through a document Navigating multiple artboards Arranging documents Document groups Using the Navigator panel Finding Resources for using Illustrator Searching for a topic in Help Checking for updates Exploring on your own Review questions Review answers 2.
Selecting and Aligning Getting started Using the Selection tool Using the Direct Selection tool Creating selections with a marquee Creating selections with the Magic Wand tool Grouping items Adding to a group Working in isolation mode Selecting similar objects Applying selection techniques Advanced selection techniques Aligning objects Aligning to a key object Aligning points Distributing objects Aligning to the artboard Exploring on your own Review questions Review answers 3.
Creating and Editing Shapes Getting started Creating a document with multiple artboards Working with basic shapes Accessing the basic shape tools Creating with shapes Outlining strokes Working with line segments Joining paths Using the Eraser tool Combining objects Working with Pathfinder effects Working with shape modes Using Live Trace to create shapes Exploring on your own Review questions Review answers 4.
Transforming Objects Getting started Working with artboards Adding artboards to the document Editing artboards Transforming content Working with rulers and guides Scaling objects Reflecting objects Rotating objects Distorting objects Shearing objects Positioning objects precisely Changing the perspective Using the Free Distort effect Making multiple transformations Exploring on your own Review questions Review answers 5.
Drawing with the Pen and Pencil Tools Getting started Creating straight lines Creating curved paths Building a curve Converting curved points to corner points Creating the apple illustration Creating the arrow Splitting a path Adding arrowheads Drawing curves Selecting a curve Drawing the leaf Drawing different kinds of curves Convert between smooth points and corner points Drawing the apple shape Editing curves Deleting and adding anchor points Drawing with the Pencil tool Editing with the Pencil tool Finishing the apple illustration Assembling the parts Painting the artwork Exploring on your own Review questions Review answers 6.
Using Art brushes. Editing a brush. Creating patterns Removing a brush stroke. Creating and applying a graphic style Using default Illustrator symbol libraries Adding assets to a Creative Cloud library.
Applying a graphic style to a layer. Temporarily disabling effects to make edits Working with dynamic symbols. Applying an existing graphic style. Breaking a link to a symbol. Scaling strokes and effects. Updating a graphic style. Working with 3D effects. Applying a Photoshop effect. Placing image files. Applying other effects. Creating a symbol. Editing a symbol.
Editing an effect. Combining artwork. Applying an effect. Using graphic styles. Using live effects. Masking an object with text. Applying a simple mask to an image. Creating an opacity mask. Editing a clipping path mask. Finding link information.
Working with image links. Masking with a shape. Placing multiple images. Replacing an image. Packaging a file. Masking images. Creating a PDF. Placing a Photoshop image with Show Import Options Editing an opacity mask. Whether you are a designer or a technical illustrator producing artwork for print publishing, an artist producing multimedia graphics, or a creator of web pages or online content, Adobe Illustrator offers you the tools you need to get professional-quality results.
The features and exercises in this book are based on Illustrator release. The lessons are designed so that you can learn at your own pace. You can follow the book from start to finish or do only the lessons that correspond to your interests and needs. Each lesson concludes with a review section to quiz you on the main concepts covered. Make sure that you know how to use the mouse and standard menus and commands and also how to open, save, and close files.
If you need to review these techniques, see the printed or online documentation for macOS or Windows. You must purchase the Adobe Illustrator software separately. For complete instructions on installing the software, visit helpx.
You must install Illustrator from Adobe Creative Cloud onto your hard disk. Follow the on-screen instructions. Fonts used in this book The Classroom in a Book lesson files use fonts that are part of the Adobe Portfolio plan included with your Creative Cloud subscription, and trial Creative Cloud members have access to a selection of fonts from Adobe for web and desktop use.
For more information about fonts and installation, see the Adobe Illustrator Read Me file on the web at helpx. Online Content Your purchase of this Classroom in a Book includes online materials provided by way of your Account page on adobepress.
Web Edition The Web Edition is an online interactive version of the book providing an enhanced learning experience. Click the Access Bonus Content link below the title of your product to proceed to the download page. Click the lesson file link s to download them to your computer.
Click the Launch link to access the product. The preferences file controls how command settings appear on your screen when you open the Adobe Illustrator program.
Each time you quit Adobe Illustrator, the position of the panels and certain command settings are recorded in different preference files. If you want to restore the tools and settings to their original default settings, you can delete the current Adobe Illustrator Prefs file. You must restore the default preferences for Illustrator before you begin each lesson. This ensures that the tools function and the defaults are set exactly as described in this book.
When you have finished the book, you can restore your saved settings, if you like. To delete or save the current Illustrator preferences file The preferences file is created after you quit the program the first time and is updated thereafter. After launching Illustrator, you can follow these steps: 1 Exit Adobe Illustrator.
You will most likely need to enable Windows to show hidden files and folders. For instructions, refer to your Windows documentation. To access this folder, in the Finder press the Option key, and choose Library from the Go menu in the Finder. For more information, refer to the Illustrator help: helpx. The preferences file is created after you quit the program the first time and is updated thereafter. To restore saved preferences after completing the lessons 1 Exit Adobe Illustrator.
Find the original preferences file that you saved and move it to the Adobe Illustrator 24 or other version number Settings folder. Only the commands and options used in the lessons are explained in this book. For comprehensive information about program features and tutorials, please refer to these resources: Adobe Illustrator Tutorials: helpx.
Adobe Community: community. Adobe Create Magazine: create. Resources for educators: www. Find solutions for education at all levels, including free curricula that can be used to prepare for the Adobe Certified Associate exams.
Adobe Illustrator product home page: See www. Adobe Add-ons: exchange. Enhanced way of simplifying paths If you have complex paths in your artwork and want to more easily edit them, use the Simplify feature to reduce the number of anchor points. Streamlined options appear for simplifying a path.
You can click the ellipses Auto Spelling Check Illustrator now includes an automatic way of checking spelling errors. With the Auto Spell Check feature enabled, spelling will be automatically verified as you type and all the misspelled words will be highlighted in the document. In case the auto-recovery is not possible, Illustrator now shows an effective messaging that clearly states the file error s and troubleshooting steps for you to try. You will be notified when the export is complete. Adobe is committed to providing the best tools possible for your publishing needs.
We hope you enjoy working with Illustrator release as much as we do. This lesson will take about 45 minutes to complete. To get the lesson files used in this chapter, download them from the web page for this book at www. In this case, you will print the artwork you create as a postcard, so you will choose a preset from the Print presets to start. In the Save As dialog box, leave the name as BoutiqueArt.
Artboards are like pages in Adobe InDesign. A checkmark next to the Smart Guides menu item means they are on. Move the pointer into the upper-left part of the artboard see the red X in the figure. Press and drag down and to the right. When the gray measurement label next to the pointer shows a width of approximately 10 inches and a height of 7 inches, release the mouse button.
The shape will be selected. When the pointer changes , drag it into the approximate center of the artboard. When the gray measurement label shows a value of approximately 0. Shapes you create can have a stroke border and can also be filled with a color. You can apply and edit swatches, which are the colors that come with each document by default, and create your own colors.
In the panel that opens, make sure that the Swatches option is selected at the top to show the default saved colors, called swatches. While you can use the default swatches, you can also create your own colors and save them as swatches to reuse them later.
Click OK to save the change you made to the swatch. You can press the Escape key to do this. A stroke is the outline border of artwork such as shapes and paths. There are a lot of appearance properties you can change for a stroke, including width, color, dashes, and more. In the panel that appears, click the Color Mixer button at the top to create a custom color. Click the New Swatch button at the bottom of the panel to save it as a swatch. The blue color should now be showing in the Swatches panel as a saved swatch.
Type Background, and press Return or Enter to change the layer name. Currently, the rectangle you created is on this layer. Press Return or Enter to change the layer name. By creating multiple layers in your artwork, you can control how overlapping objects are displayed. In the document, artwork on the Content layer will be on top of the artwork on the Background layer since the Content layer is above the Background layer in the Layers panel.
Click the Fill color box. In the panel that appears, make sure the Swatches button is selected at the top of the panel, and click to select the blue swatch you created in a previous step. Press the Escape key to hide the panel.
Press Return or Enter to accept the size change. Click the arrow to the left of the Montserrat font name to show the font styles circled in the following figure. It may take some time for the font to be activated.
Click Montserrat Light to apply it. Press Return or Enter to accept the change. Click to make the text capitals. The Shape Builder tool is an interactive tool for creating complex shapes by merging and removing simpler shapes.
When a menu of tools appears, release the mouse button. Select the Ellipse tool in the menu that appears. See the figure for roughly how big to make it. Press Return or Enter to hide the panel. Drag to create a small rectangle on top of the ellipse. See the first part of the following figure. A temporary vertical magenta guide may appear when they are aligned. The goal is to understand how to create and edit the shapes. They come in different shapes and sizes!
Move the pointer to roughly where you see the red X in the middle part of the following figure. Press the Shift key, and drag across the two shapes to combine them.
Release the mouse button and then the key. Click and release to start drawing a shape see the first part of the following figure. Move the pointer away see the second part of the figure. Move the pointer away and notice the path curving in different ways as you move it. The anchor points you add control the shape of the path.
When the pointer shows a small circle next to it , click to close the path, creating a shape. Move the pointer over the point, and double-click to make it a corner as well. You now have all of the artwork you need to make the acorn. In Illustrator, there are a number of ways to move, rotate, skew, scale, and more—in other words there are many ways of transforming artwork so you can get it just the way you want.
Click the top of the acorn shape you created in a previous section. Drag across the bottom of the artwork in a U shape to erase part of it. After releasing the mouse button, you will see the resulting shape. When it looks good, release the mouse button and then the key. You can use the Shape Builder tool to fix that. Move the pointer where you see the red X in the following figure. Drag across the top shapes to combine them.
Make sure not to drag into the bottom shape. Symbols are useful because they can help you save time and can save on file size as well. You will now create a symbol from the acorn artwork. Click the New Symbol button at the bottom of the panel to save the selected artwork as a symbol. If a warning dialog box appears, click OK. The artwork now appears as a saved symbol in the Symbols panel, and the acorn on the artboard you used to create the symbol is now a symbol instance. Also, the figure shows dragging the third symbol onto the artboard.
When the rotate arrows appear, drag to rotate the acorn. A Quick Tour of Adobe Illustrator Release 7 Click to select one of the other acorns and rotate it in the opposite direction. In the dialog box that appears, click OK. You can now edit the original acorn artwork and any changes you make will show in the three instances you dragged from the Symbols panel. After typing in the last value, press Return or Enter to make the change and also close the panel.
Click in the Visibility column to the left of the Background layer name to show the rectangle on the Background layer. An arrow is pointing to the button in the previous figure. You can drag the Gradient panel by the title bar at the top to move it around. Click the panel menu icon , and choose CMYK. Press Return or Enter after typing in the last value to make the change and hide the panel. Click the X at the top of the Gradient panel to close it.
That way, you can focus on other artwork. Click the Content layer name so that any new artwork you add will be on the Content layer and above the content on the Background layer. Make sure that the Link option in the dialog box is not selected, and click Place. Click to place the hand-lettering image.
It was created by Danielle Fritz www. To learn more about Adobe Capture, visit www. With the Swatches option selected at the top of the panel, click the blue color you created previously to apply it. The Shift key constrains the proportions as you scale. When you see a width of approximately 8. You can apply brush strokes to existing paths, or you can use the Paintbrush tool to draw a path and apply a brush stroke simultaneously.
If you find that you only drag one, simply drag the other artwork into place. Click a lighter red path in the tail of the squirrel to select a group of paths. You can see what to select in the following figure. Move the pointer over a brush in the list, and you will see its name in a tool tip. The brush artwork is scaled on the path based on the stroke border weight.
Any content you apply an alignment to will now align to the edges of the artboard. Presenting your document Everything but the active artboard is hidden from view. The area around the artboard is replaced by a solid color, usually black. If there were more artboards like multiple pages in Adobe InDesign , you could press the right or left arrow key to navigate between them.
To turn it off, press the Escape key. The workspace consists of the Application bar, menus, toolbar, Properties panel, Document window, and other default panels. Vector graphics are made up of lines and curves defined by mathematical objects called vectors.
You can freely move or modify resize vector graphics without losing detail or clarity because they are resolution independent. An example of vector artwork. Editing vector artwork. Vector graphics maintain crisp edges when they are resized, printed to a PostScript printer, saved in a PDF file, or imported into a vector-based graphics application.
As a result, vector graphics are the best choice for artwork, such as logos, that will be used at various sizes and in various output media. Illustrator also allows you to incorporate bitmap images—technically called raster images—that are made up of a rectangular grid of picture elements pixels.
Each pixel is assigned a specific location and color value. Pictures you take on your phone camera are considered raster images. Raster images can be created and edited in a program like Adobe Photoshop. This is something you will do at the start of each lesson in this book to ensure that the tools function and the defaults are set exactly as described in this lesson. With Illustrator open, you will see the Home screen showing resources for Illustrator, and more.
The Reset Essentials command ensures that the workspace, which includes all of the tools and panels, is set to the default settings. This command fits the whole artboard into the Document window so you can see all of it. When Illustrator is fully launched and a file is open, the menus, Application bar, toolbar, and panels appear on the screen.
The arrangement of these elements is called a workspace. When you first start Illustrator, you see the default workspace, which you can customize for the tasks you perform. You can create and save multiple workspaces—one for editing and another for viewing, for example—and switch between them as you work.
Application bar B. Panels C. Toolbar D. Document window E. Status bar Below, the areas of the default workspace are described: A. The Application bar across the top by default contains application controls, the Workspace Switcher, and Search. On Windows, the main menu bar items appear inline with the Application bar—see the following figure. Panels help you monitor and modify your work. Certain panels are displayed by default in the panel dock on the right side of the workspace, and you can display any panel by choosing it from the Window menu.
The toolbar contains tools for creating and editing images, artwork, page elements, and more. Related tools are grouped together. The Status bar appears at the lower-left edge of the Document window. Getting to Know the Work Area Getting to know the toolbar The toolbar on the left side of the workspace contains tools for selecting, drawing and painting, editing, and viewing, as well as the Fill and Stroke boxes, drawing modes, and screen modes.
Notice that the name Selection Tool and keyboard shortcut V are displayed in a tool tip. Press and hold until a tools menu appears, then release the mouse button. Click the Group Selection tool in the menu to select it. Any tool in the toolbar that displays a small triangle contains additional tools that can be selected in this way.
Click the arrow at the right edge of the hidden tools panel to separate the tools from the toolbar as a separate floating panel of tools, so you can access them easily. Each click selects the next hidden tool in the tool sequence. The tools return to the toolbar. In the figures in this lesson, the toolbar is a single column by default. The toolbar is now floating in the workspace. Getting to Know the Work Area 8 Drag the toolbar to the left side of the Application window using either the solid bar at the top of the toolbar or the dashed line just below the solid bar.
When the pointer reaches the left edge, a translucent blue border, called the drop zone, appears. Release the mouse button to dock the toolbar neatly into the side of the workspace. Finding more tools In Illustrator, the default set of tools that appears in the toolbar does not include every available tool. A panel appears that shows all of the available tools. You can drag any of the remaining tools into the toolbar, where you can then select and use them.
The tool is highlighted in the toolbar. If you hover the pointer over a tool like the Ellipse tool, which is nested within the Rectangle tool, the Rectangle tool will highlight, showing you where it is. To add it to the toolbar, drag the Shaper tool onto the Rectangle tool. The Shaper tool will now be in the toolbar until you remove it or reset the toolbar.
Later in the lessons, you will add tools to learn more about them. Drag the Shaper tool onto the panel. When a minus shows next to the pointer , release the mouse to remove the Shaper tool from the toolbar. The Properties panel displays properties for the active document when nothing is selected. It also displays appearance properties for content you select. With nothing selected in the document, the Properties panel shows the current document properties as well as program preferences.
You can change the size, position, color, and much more for the selected artwork. Words that are underlined in the Properties panel will show more options when you click them. The Properties panel once again shows document properties and program preferences when nothing is selected. Working with panels Panels like the Properties panel give you quick access to many of the tools and options that make modifying artwork easier.
All of the panels available in Illustrator are listed alphabetically in the Window menu. A checkmark to the left of the panel name indicates that the panel is already open and in front of other panels in its panel group.
If you choose a panel name that is already selected in the Window menu, the panel and its group either close or collapse. The Layers panel is grouped with two other panels—the Properties panel and the Libraries panel. They are all part of the same panel group. Getting to Know the Work Area This hides the panel names and collapses the panel dock to icons only.
To open a panel that is collapsed as an icon, you can click a panel icon. Choose Align from the Window menu to open the Align panel and the other panels grouped with it by default.
Panels you open that do not appear in the default workspace are free-floating. That means they are not docked and can be moved around. You can dock freefloating panels on the right or left side of the workspace.
When a blue highlight appears around the entire panel dock, release the mouse button to dock the panel in the group. Aside from adding panels to the dock on the right, you can also remove them. Scaling the Illustrator interface When you launch Illustrator, it identifies your screen resolution and adjusts the application scale factor accordingly. You can scale the user interface of Illustrator based on your screen resolution to make the tools, text, and other UI elements easier to see.
As you make changes, like opening and closing panels and changing their position among other things , you can save that particular arrangement as a workspace—and switch between them while you work.
Illustrator comes with a host of other workspaces that are tailored to a variety of tasks. Similar to the Properties panel, it offers quick access to options, commands, and other panels relevant to the currently selected content. In workspaces, you can create groups of panels that are stacked on top of others.
That way, a lot more panels are showing. When you choose a previous workspace to switch to, it remembers any changes you made, like selecting the Libraries panel. You can also arrange the panels the way you like and save your own custom workspace. In the New Workspace dialog box, name the workspace with a new, unused name.
When a blue highlight appears around the entire panel dock, release the mouse button to dock the Artboards panel and add it to the existing panel group. Select the workspace name, and click the Delete Workspace button. The name of the workspace could be anything, as long as it makes sense to you.
Using panel and context menus Most panels in Illustrator have more options available in a panel menu, found by clicking the panel menu icon or in the upper-right corner of a panel. These additional options can be used to change the panel display, add or change panel content, and more. Click the panel menu icon in the upperright corner, and choose Small List View from the panel menu.
Because the options in the panel menu apply only to the active panel, only the Swatches panel view is affected. In addition to the panel menus, context-sensitive menus display commands relevant to the active tool, selection, or panel. Usually the commands in a context menu are available in another part of the workspace, but using a context menu can save you time. Then, right-click to show a context menu with specific options. Adjusting the brightness of the user interface As with Adobe InDesign and Adobe Photoshop, Illustrator supports a brightness adjustment for the application user interface.
This is a program-wide preference setting that allows you to choose a brightness setting from four preset levels. The magnification level, which can range from 3. Using view commands View commands are found in the View menu and are an easy way to enlarge or reduce the view of artwork. Using the viewing tools and commands affects only the display of the artwork, not the actual size of the artwork. Each time you choose a Zoom option, the view of the artwork is resized to the closest preset zoom level.
The preset zoom levels appear in a menu in the lower-left corner of the Document window, identified by a down arrow next to a percentage. Using the Zoom tool In addition to the View menu options, you can use the Zoom tool and reduce the view of artwork to predefined magnification levels.
The artwork is displayed at a higher magnification, depending on your screen resolution. Notice that where you clicked is now in the center of the Document window. A minus sign — appears at the center of the Zoom tool pointer. With the Option or Alt key pressed, click the artwork twice to reduce the view of the artwork. Using the Zoom tool, you can also drag in the document to zoom in and out.
The Zoom tool is used frequently during the editing process to enlarge and reduce the view of artwork. Because of this, Illustrator allows you to select the Zoom tool using the keyboard at any time without first deselecting any other tool you may be using. The zooming is animated. Drag from right to left to zoom out. If you decide to use these shortcuts in Illustrator, you may want to turn off or change those keyboard shortcuts in macOS System Preferences.
GPU-accelerated computing offers faster performance across a broad range of design, animation, and video applications. This feature is available on compatible macOS and Windows computers.
To learn more about GPU Performance, visit helpx. Panning in a document In Illustrator, you can use the Hand tool to pan to different areas of a document. Using the Hand tool allows you to push the document around much like you would a piece of paper on your desk. This can be a useful way to move around in a document with a lot of artboards or when you are zoomed in. As you drag, the artboard and artwork on it moves with the hand. As with the Zoom tool , you can select the Hand tool with a keyboard shortcut without first deselecting the active tool.
Hold down the spacebar on the keyboard to temporarily select the Hand tool, and then drag to bring the artwork back into the center of your view. Release the spacebar. Getting to Know the Work Area Viewing artwork When you open a file, it is automatically displayed in Preview mode, which shows how the artwork will print. Illustrator offers other ways of viewing your artwork, such as outlined and rasterized.
This is called Outline mode. Only the outlines of objects are displayed. You can use this view to find and select objects that might not be visible in Preview mode. Overprinting allows the color of artwork to print on top of the color of artwork underneath. For this example, the arms of the person in the boat are made semi-transparent or seethrough when Overprint Preview is on. Pixel preview can be used to see how the artwork will look when it is rasterized and viewed onscreen in a web browser.
An arrow is pointing to it in the figure. You can use artboards to crop areas for printing or placement purposes. Multiple artboards are useful for creating a variety of things, such as multi-page PDFs, printed pages with different sizes or different elements, independent elements for websites, video storyboards, or individual items for animation in Adobe Animate or Adobe After Effects.
You can easily share content among designs, create multipage PDFs, and print multiple pages by creating more than one artboard. Illustrator allows for up to artboards within a single file depending on their size. Multiple artboards can be added when you initially create an Illustrator document, or you can add, remove, and edit artboards after the document is created.
Next, you will learn how to efficiently navigate a document that contains multiple artboards. Click Open to open the file.
Notice that there are two artboards in the document that contain the front cover and inside design for a thank you card. Suppose that you want to create a four-page brochure.
You can create different artboards for every page of the brochure, all with the same size and orientation. They can be arranged horizontally or vertically or in whatever way you like. Getting to Know the Work Area 3 Select the Selection tool in the toolbar, and click to select the group of plants in the lower-right corner of the larger artboard on the right.
When you select artwork, it makes the artboard that the artwork is on the active, or selected, artboard. By choosing the Fit Artboard In Window command, the currently active artboard is fit into the Document window. The active artboard is identified in the Artboard Navigation menu in the Status bar in the lower-left corner of the Document window.
You can use these to navigate to the previous and next artboards. Those arrows plus a few others also appear in the status bar below the document. The Artboard Navigation menu and navigation arrows always appear in the Status bar below the document, but they appear in the Properties panel only when not in Artboard Editing mode, the Selection tool is selected, and nothing is selected.
Using the Artboards panel Another method for navigating multiple artboards is to use the Artboards panel. The Artboards panel lists all artboards currently in the document and allows you to navigate between artboards, rename artboards, add or delete artboards, edit artboard settings, and more.
Clicking the artboard icon or to the right of the artboard name in the panel allows you to edit artboard options. The artboard named Artboard 1 is now fit in the Document window. Zooming and panning with the Navigator panel The Navigator panel is another way to navigate a document that has one or more artboards. This is useful when you need to see all artboards in the document in one window and to edit content in any of those artboards in a zoomed-in view.
It is in a free-floating group in the workspace. The red box in the Navigator panel, called the proxy view area, indicates the area of the document that is being shown. When the pointer becomes a hand , drag to pan to different parts of the artwork. For the purposes of this lesson, ensure that it is toggled on. In Illustrator, all the workspace elements, like the panels, Document window, and tools, are grouped in a single, integrated window, called the Application frame, that lets you treat the application as a single unit.
When you move or resize the Application frame or any of its elements, all the elements within it respond to each other so none overlap. When you open more than one document in Illustrator, the Document windows appear as tabs at the top of the Document window. You can arrange the open documents in other ways, such as side by side, so that you can easily compare or drag items from one document to another. Each file has its own tab at the top of the Document window. These documents are considered a group of Document windows.
You can create document groups to loosely associate files while they are open. Otherwise, you could undock the Document window and create a new group. Release the mouse button to see the new tab order.
This can be useful if you use the document shortcuts to navigate to the next or previous document. Cascading allows you to cascade stack different document groups. Tiling shows multiple Document windows at one time, in various arrangements. Do the same for the Document window on the right. With documents tiled, you can drag artwork between documents, which copies that artwork from one document to another. Click the Consolidate All button to bring the documents back together.
Click the 2-Up vertical button in the Arrange Documents menu. Finding resources for using Illustrator For complete and up-to-date information about using Illustrator panels, tools, and other application features, visit the Adobe website. Data recovery When you restart Illustrator after a program crash, you have the option of recovering work-in-progress files so that your hours of work are not wasted.
Review answers 1 You can choose commands from the View menu to zoom in or out of a document or to fit it to your screen; you can also use the Zoom tool in the toolbar and click or drag over a document to enlarge or reduce the view.
In addition, you can use keyboard shortcuts to magnify or reduce the display of artwork. You can also use the Navigator panel to scroll artwork or to change its magnification without using the Document window. For example, you can press V to select the Selection tool from the keyboard. Selected tools remain active until you click a different tool. This can be useful if you are working on multiple Illustrator files and you need to compare or share content between them.
In the Save As dialog box, name the file WildlifePoster. It will help you to better understand what vector artwork is all about. Using the Selection tool The Selection tool lets you select, move, rotate, and resize objects.
This should fit the artboard on the right into the Document window. The icon that appears next to the pointer as it passes over objects indicates that there is artwork under the pointer that can be selected. When you hover over an object, that object is also outlined in a color, like blue in this instance. Smart Guides are temporary snap-to guides that help you align, edit, and transform objects or artboards.
A bounding box with eight handles appears around the selected ellipse. The bounding box can be used to make changes to content such as resizing or rotating. The bounding box also indicates that an item is selected and ready to be modified.
The color of the bounding box indicates which layer the object is on. Notice that the ellipse on the left is now deselected and only the ellipse on the right is selected. Both ellipses are now selected, and a larger bounding box surrounds them. Because both ellipses are selected, they move together. As you drag, you may notice that magenta lines appear. These are called alignment guides.
As you drag, the objects align to other objects in the document. Measurement labels also appear because Smart Guides are turned on. In the dialog box that appears, click Revert. Techniques for Selecting Artwork Selecting and editing with the Direct Selection tool Anchor point As you draw, you create vector paths that are made up of anchor points and paths.
Anchor points are used to control the shape of the path and work like pins holding a wire in place. A shape you create, like a simple square, is composed of at least four anchor points on the corners with paths connecting the anchor points. Path One way to change the shape of a path or shape is by dragging its anchor points. The Direct Selection tool lets you select anchor points or paths within an object so they can be reshaped. Click inside one of the larger green bamboo shapes to see the anchor points.
Notice that the anchor points are all filled with a blue color, which means they are all selected. Also notice the little white box next to the pointer. The small dot that appears in the center of the white box indicates that the cursor is positioned over an anchor point. The other anchor points in the shape are now hollow filled with white , indicating that they are not selected. Notice that when you select the new point, the previous point is deselected. In the Illustrator preferences, you can adjust the size of those features.
Move the pointer above and to the left of the leftmost beige ellipse and then drag across both ellipses to create a marquee that overlaps at least part of them.
Release the mouse button. When dragging with the Selection tool , you need to encompass only a small part of an object to select it. Starting off the top left of the leftmost ellipse see the first part of the following figure , drag across just the top edges of the two ellipses and then release the mouse button. Only the top anchor points become selected. Those are called direction handles, and they can be used to control the curve of the path.
Make sure you drag the square anchor point and not the round end of one of the handles. Notice that you dragged the large blue-green shape, rather than selecting the animal shapes.
Locking objects prevents you from selecting and editing them. The selected shapes are temporarily hidden so that you can more easily select other objects. The stroke of an object is the outline border , and the stroke weight is the width of the stroke. If you know that you may need to reselect a series of objects again, like the shapes you just selected, you can save that selection.
Saved selections are a great way to easily make a selection later, and they are saved only with that document. Selecting in Outline mode By default, Adobe Illustrator displays all artwork with their paint attributes, like fill and stroke border , showing.
However, you can view artwork in Outline mode to display artwork so that the appearance is removed and only outlines or paths are visible. Outline mode can be useful if you want to more easily select objects within a series of stacked objects.
If you click that X, you can select the shape. To select in Outline mode, you can click the edge of the object or drag a marquee across the shape to select it. Notice that the artwork behind the eyes the bamboo is not selected. Press the Up Arrow key several times to move both shapes up a little bit. Aligning objects Illustrator makes it easy to align or distribute multiple objects relative to each other, the artboard, or a key object.
Aligning objects to each other One type of alignment is aligning objects to each other. This can be useful if, for instance, you want to align the top edges of a series of selected shapes to each other. Notice that all of the selected objects move to align to the horizontal center of the shapes.
Leave the objects selected for the next section. This can be useful when you want to align a series of objects and one of them is already in the perfect position. You specify a key object by selecting all the objects you want to align, including the key object, and then clicking the key object again. When selected, the key object has a thick outline indicating that other objects will align to it. Leave the shapes selected for the next section. Notice that all of the selected shapes moved to align to the horizontal center of the key object.
The selected content will no longer align to the key object. Next, you will make the spacing between the green shapes even. Click the Vertical Distribute Center button in the panel that appears.
Techniques for Selecting Artwork Distributing moves all of the selected shapes so that their centers are spaced an equal distance apart. Ensure that the Distribute Spacing value is 0 zero and then click the Vertical Distribute Space button. Distribute Spacing distributes the spacing between selected objects, whereas the Distribute Objects alignments distribute the spacing between the center points of selected objects.
The value you can set is a great way to set a specific distance between objects. As with setting a key object in the previous section, you can also set a key anchor point that other anchor points will align to. Press the Shift key and click to select the lower-left point of the same shape to select both anchor points second part of the following figure.
Other points will align to this point. The first anchor point selected aligns to the second anchor point selected. Aligning to the artboard You can also align content to the active artboard page rather than to a selection or a key object.
Aligning to the artboard aligns each selected object separately to the edges of the artboard. As of the writing of this book, there is no option in the Properties panel to align a single selected object to the artboard.
If you see Hide Options in the menu, then you are all set. Any content you align will now align to the artboard. Leave the Align panel open. The orange shape will be on top of the other artwork. Later, you will put it behind the other animal artwork. Working with groups You can combine objects into a group so that the objects are treated as a single unit.
This way, you can move or transform a number of objects without affecting their individual attributes or positions relative to each other. It can also make selecting artwork easier. Because they are grouped together, all are now selected. When the pointer reaches the bottom of the artboard, release the mouse and then the key. Techniques for Selecting Artwork Editing a group in Isolation mode Isolation mode lets you isolate groups so that you can easily select and edit specific objects or parts of objects without having to ungroup the objects.
Next, you will edit a group using isolation mode. Click the Group button at the bottom of the Properties panel to group them together. To do that, press the Escape key. Click the Fill color box in the Properties panel on the right, and making sure the Swatches option is selected in the panel that appears, click to select a different green color. Notice that the leaves are once again grouped, and you can also now select other objects.
This enables you to edit objects in the group or to add new content without having to ungroup. Nesting is a common technique and a great way to keep associated content together. Shift-click the bamboo group to select it as well. Click to select the leaves again, and notice that the leaf shapes are still grouped.
This is a nested group. Nested within the Direct Selection tool in the toolbar, the Group Selection tool lets you select an object within a group, a single group within multiple groups, or a set of groups within the artwork. Techniques for Selecting Artwork Exploring object arrangement As you create objects, Illustrator stacks them in order on the artboards, beginning with the first object created.
This ordering of objects, called stacking order, determines how they display when they overlap. You can change the stacking order of objects in your artwork at any time, using either the Layers panel or the Arrange commands. Choose Send To Back to send the shape behind all of the other shapes. I chose it three times. Selecting objects behind When you stack objects on top of each other, sometimes it becomes difficult to select objects that are underneath.
When the measurement label shows a width of approximately 1. The ellipse disappears but is still selected. It went behind the dark circle the eye because it was created before the eye shape, which means it is lower in the stacking order. This brings the smaller ellipse to the front of the stack, making it the topmost object. This ellipse disappears like the other, but this time, you will deselect the ellipse and then reselect it using another method.
Because it is behind the larger eye shape, you can no longer see the smaller beige ellipse. Explain two ways to get around this issue. Review answers 1 You can select an object that has no fill by clicking the stroke or by dragging a marquee across any part of the object. Also, using the Group Selection tool , you can click once to select an individual item within a group not discussed in the lesson.
Click again to add the next grouped items to the selection. Name the selection so that you can reselect it at any time from the Select menu. The object is not deleted. This lesson will take about 60 minutes to complete.
You can set up a document for different kinds of output, such as print, web, video, and more, by choosing a category. For example, if you are designing a web page mock-up, you can select the Web category and select a document preset size. The document will be set with the units in pixels, the color mode as RGB, and the raster effects to Screen 72 ppi —all optimal settings for a web document. The name will become the name of the Illustrator file when you save it later.
At the bottom of the Preset Details section on the right side of the New Document dialog box, you will also see Advanced Options and More Settings you may need to scroll to see it. They contain more settings for document creation that you can explore on your own. In the Save As dialog box, ensure that the name of the file is Postcard.
Adobe Illustrator. That means it preserves all Illustrator data so you can edit everything later. The Document Setup dialog box is where you can change document options like units, bleeds, and more after a document is created.
You will typically add bleed to artboards for printed artwork that needs to be printed all the way to the edge of the paper. Bleed is the term used for the area that extends beyond the edge of the printed page, and it ensures that no white edges show up on the final trimmed page. Click OK. The red line that appears around the artboard indicates the bleed area.
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